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More than just a phase
A simple concept, multiplied, expanded, and pushed to the outer limits.
A definitive sound that was ahead of its time, yet remains hypnotic and otherworldly to this day. Phaser BI-TRON encapsulates the transcendent quality of an undisputed trailblazer of the modulation world. Soft 2-pole flutters, wild asynchronous movement, resonant swirls suspended in orbit - there’s nothing quite like it.
2 SWEEP GENERATORS
It all starts with 2 Independent LFOs, featuring switchable waveforms and rates that can be tempo synced. Tweak both in tandem for unpredictable interplay, resulting in all manner of animated sounds.
DUAL 12-STAGE PHASOR CIRCUITS
As well as 2 LFOs, you get 2 ‘Phasor’ circuits to play with, with independent depth, feedback and modulation source controls.
ANALOG CHARACTER
We analyzed the much-loved tonal nuances of the original pedal, taking extra care to emulate them in great detail for a perfectly authentic response.
MANUAL PEDAL CONTROL
The expression pedal feature lets you manipulate both LFO rates and both Phasor circuits, with the additional option of envelope control.
CHOOSE YOUR ROUTE
Phaser BI-TRON can be run in mono or stereo, series or parallel. This results in an unprecedented stereo modulation palette, each mode offering a distinct sonic character.
PRESETS
A curated selection of 37 presets, giving you instant access to the double-barrelled energy of Phaser BI-TRON.
Rebuilding a legend
The humble phaser was one of the first widely-available guitar effects on the market. Achieved by the relatively simple means of modulating all-pass filters on an input signal, it’s a sound that’s as recognisable as it is divisive. No modulation collection is complete without a phaser - and as the world’s first dual phaser, the Mu-Tron Bi-Phase stood out from the crowd. Popularised by everyone from Smashing Pumpkins to Prince, Kraftwerk to Chromeo, it’s evident that the pull of stereo functionality, interweaving modulation, and analog charm was impossible to resist.
We set about studying, remaking, and enhancing this prized handmade effect. Using our proprietary TAE® technology (True Analog Emulation), we wanted to replicate every subtle detail, every sonic trait - even the control panel and expression pedal functionality. Phaser BI-TRON is every bit an analog dream, primed for your virtual studio.
The power of duality
The key to Phaser BI-TRON’s colorful sound is the fact that everything is doubled.
independent sweep generators (LFOs) offer 3 waveforms each, tempo sync, and the option of pedal control. These can be used to modulate both (or either) of the 2 Phasor circuits, each with their own LFO depth, feedback and pedal controls. The pedal can even be switched from manual control to an envelope follower, for a responsive sidechain effect.
Analog enhanced
The magic of the dual LFO & dual Phasor setup really comes into its own with the elaborate routing options.
Rather than simply behaving like 2 phaser pedals stuck together, Phaser BI-TRON’s emulated circuits can be rerouted in mono or stereo, series or parallel - unlocking the nuances of analog pedal behavior and giving you total control over the spatial character of the effect.
Analog effects are sought-after not just for their specific purposes; there’s charm in the warm dynamic response of their components. No emulation of an analog effect would be truly complete without it. Phaser BI-TRON has been tirelessly modeled to preserve the subtle nuances of vintage circuitry - authentic to its core.
Press Clipping
The Modulation Greats, Retrofitted
Mesmerising stereo warbles. Stadium-sized jet engine sweeps. Resonant harmonics weaving in and out of each other. These aren’t just instrument effects; these are the secret weapons behind some of the most iconic sounds of all time. Legends in their own right, replicated down to the finest tonal detail.
It doesn’t end there - we’ve pushed these classics a step further. Modernized with new controls, algorithms and contemporary appointments, we wanted to ensure that they’ll meet the requirements of today’s music makers.
A legacy in sound
From rare guitar pedals to vintage rack units, we spent time meticulously analyzing hardware in search of the perfect modulation effects. The warmth of bucket brigade device architecture, the nuances of analog stereo spread, the subtle imperfections of hand-soldered components - the real magic lies in the finer details. We employed proprietary technology to accurately replicate these subtleties.
The result? A fine-tuned selection of effects that are as comprehensive as they are authentic.
Artists Corner
The 3 new Arturia Modulators blew me away, providing the classic sound and feel of the units I'd expect, but with the option of deep diving into the expanded control section and fine-tuning them beyond the parameters of the original units. Class acts!Emre Ramazanoglu
( Engineer / Mixing - Noel Gallagher, Carly Rae Jepsen, Sia )
There have been numerous attempts to emulate these classic units that have fallen short of the vibe of the originals. Arturia have nailed it with this latest release, which has managed to capture the depth and musicality of some of the hardware in incredible detail. An absolute joy to use.Tim Bazell
( Mix Engineer )
I used to think that these are 3 very peculiar effects that you either love or hate: Chorus, Phaser and Flanger. However, after using them for a while I can say I changed my mind about it. Been using Dimension-D every single day and I have been experimenting with Phaser and Flanger a lot lately which is something that I would never do.Thiago Baggio
( Recording & Mixing Engineer )
Hearing is believing and when I heard how the three modulators added a new layer to my mix I was sold. From simple modulations that make your beats feel wider to extreme modulations that take your sound to a whole new level of experimentation, the trio has you covered.Jacob Wilkinson-Smith
( Producer / Recording Engineer )
Where to start?
Get to know our modulation FX and their extensive features - pristine, intuitive sound for your mix, straight away.
Presets & tutorials
A new effect can be daunting if you're not familiar with it.
We've included a selection of presets for immediate access to the coolest modulation settings, no fiddling required. Better still, each plugin includes on-screen tips and step-by-step tutorials from our sound designers, highlighting relevant parameters and tweaks.
Modern enhancements
Our effects expand on the designs and features of the hardware that they're based on.
This lets you push them even further, to experiment in ways that would've previously been impossible. Tempo-synchronization, extensive parameter modulation, envelope manipulation - truly versatile sonic tools for any project.
Arturia Software Center
ASC is the central software that elegantly manages all your Arturia software licenses. It activates your licenses and synchronizes them across multiple devices (you get five instances with each instrument license). ASC also notifies you of updates and downloads them. You can even easily learn about new products, download demos versions and purchase the full products. Simple.
TAE® and Phi® Powered
To create its sound, this software title uses both of Arturia's exclusive modelling technologies. TAE® is used to map out, analyse, and reproduce the nuanced behaviour of analog electronic components and circuits. Phi® is focused on physical modelling, reproducing a virtual version of the original instrument inside your computer, letting you hear its resonance and vibrations, rather than simply playing back sampled recordings. The benefit of all this technology is also two-fold: it sounds absolutely amazing, and it gives you huge scope to tweak and personalize.
Gallery
Platform specifications
: Win 7+ PC: 4 GB RAM; 2 GHz CPU.1GB free hard disk space
OpenGL 2.0 compatible GPU
: 10.10+: 4 GB RAM; 2 GHz CPU.1GB free hard disk space
OpenGL 2.0 compatible GPU
Required configuration
VST 2.4 (64-bit), VST 3 (64-bit), AAX (64 bits with PT 11), Audio Unit (64-bit), NKS* (64-bit DAWs only).
Protection
The software is protected by the Arturia Software Center. You can learn more about it here.
All manufacturer and product names mentioned on this page are trademarks of their respective owners, which are in no way associated or affiliated with Arturia. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose features and sound were studied during the development. All names of equipment, inventors, and manufacturers have been included for illustrative and educational purposes only, and do not suggest any affiliation or endorsement by any equipment inventor or manufacturer.
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