Switch between 8 predefined algorithms, inspired by the original hardware, that give you instant access to essential spaces and resonant ambiences. Stick to the classics or tweak them to taste - the choice is yours. Small Hall A - Small Hall B - Room A - Constant Plate - Vocal Plate - Large Hall B - Chamber - Perc Plate A

Fix all of Rev LX-24’s controls in place to avoid making any accidental tweaks to your perfect reverb settings. You can even switch between algorithms with your locked settings to hear the differences.

To introduce extra movement and color to your reverb, this button adds subtle modulation and pitch shifts to the reverb tail, adjustable from the Advanced panel - from faint chorus-like effects to full detuned warble.

Rev LX-24 detects the level and characteristics of incoming signals and adjusts the decay accordingly, including tweaks to diffusion, offset, and more - keeping your reverb clean and tidy where it counts.

The original unit’s dark sound came from its 12-bit and 24-bit converters, which filtered out frequencies above 8kHz, with the latter removing floor noise. But to give you the option, we added a modern mode that reintroduces those high frequencies for extra sparkle and clarity.

Adjust the time it takes for Rev LX-24’s reverb tail to end, anything from small-room bounciness to infinite echoes.

Adjust how Rev LX-24 responds to the frequency spectrum by increasing or decreasing decay times below your selected crossover frequency, so you can choose between dark, noisy, or crystal-clear reverberations.

Choose between crisp full-frequency decay, smooth top-end response, or anything in between by attenuating the top end of the frequency spectrum.

For that extra reflective sound, add a small amount of delay between your input signal and your reverb.

Mimic the sound of different microphone placements with the emulated Distance control; imagine a mic on the other side of a hall, or right next to your kick drum - or anything in between.

Customize the balance between dry clarity and reverb depth to make sure that every sound finds its place in your mix.

As in the Classic view, Switch between 8 predefined algorithms, inspired by the original hardware, that give you instant access to essential spaces and resonant ambiences. Stick to the classics or tweak them to taste - the choice is yours. Small Hall A - Small Hall B - Room A - Constant Plate - Vocal Plate - Large Hall B - Chamber - Perc Plate A

The original unit’s dark sound came from its 12-bit and 24-bit converters, which filtered out frequencies above 8kHz, with the latter removing floor noise. But to give you the option, we added a modern mode that reintroduces those high frequencies for extra sparkle and clarity.

If you’re not keen on tweaking sliders and flicking switches, Rev LX-24’s advanced panel features a visual representation of its sound. Alter everything from decay to damping, crossover to diffusion, simply by clicking and dragging different points on the visualizer.

Add in the perfect amount of subtle pitch modulation for the ‘Mode Enhancement’ control, from slow tape movement to dizzying wobbles.

Tap into the more detailed aspects of your reverb tail by customizing the response of the initial reverberations; cluster them together for tight, dense sounds, or spread them apart for a more textural effect.

A delicate transformer drive and high pass filter for sculpting your input signal before the reverb sets in.

Make Rev LX-24’s wet signal flow, expand, and rebound in response to your input of choice. Ducking acts similar to a sidechain, giving your reverb that impactful ‘pumping’ sound; Gate does the opposite, increasing the wet level when triggered by input, giving that essential bouncy ‘80s forum sound; finally, Tremolo acts as an LFO, regularly rising and falling with various waveforms.

Hudson Mohawke

Producer

“This is really great, 224 is already my fave reverb to use. Love how this is really streamlined, the UI looks and feels great and especially love the dry / wet lock feature, thats really really handy.”

Gerry "The Gov" Brown

Producer / Mixing engineer

“I'm so happy with this reverb and the way the team at Arturia has thought about this Plug-in to make it better. And the presets are fantastic! I'm starting to mix Stanley Clarke's next CD. This will be one of my main Reverbs for sure..... LX24 rocks!”

Craig Bauer

Producer / Mixing engineer

“When was the last time I got the perfect reverb sound on a vocal without spending 20+ minutes to get there. Actually, never. I was shocked and amazed at how great the LX24 sounds on any number of sources.”

David Sztanke

Producer

“Exceptional rendering of the famous reverb that needs no introduction! The presets are very interesting, and you can obviously make the sound of your choice yourself. Very intuitive, I am impressed by the result.”

Jacknife Lee

Producer / Mixer: U2, The Killers, R.E.M

“You've done something extraordinary here. The advanced page is very easy to navigate. The sound is natural and as subtle as you'd like or as extreme as you dare to go. It's the best emulation of this I've come across. It will probably become my go-to reverb. Brilliant work!”

Romesh Dodangoda

Producer / Mixer Motorhead, Bring Me The Horizon, Funeral For A Friend, Twin Atlantic

“The ability to select between the different convertor options is such a cool feature to make it sit in the track exactly how you want it, especially with vocals. The ducker is also such a welcome tool as it saves me having to use other plugins to do this technique which I use a lot! ”

Krikor

Producer

“The LX24 is not only the finest 224 emulation I've ever encountered, but it also incorporates modern features that elevate its sound-sculpting capabilities. The advanced settings panel, in particular, brings it up to date and provides additional flexibility. It is my go-to for 3D sound.”

Aviel Calev Hirschfield

Producer

“This reverb has quickly become my go to for vocals and drum sends. Whether I’m looking for that classic 80’s sound, or something modern, the Rev LX-24 has it covered.”

Andreas Kleerup

Producer

“This is something new. This makes your BV’s shine like the songs played on the radio while growing up. “Large vocal plate and “modern guitar hall“ are instant channel strip “save as.””

Tim Bazell

Mix Engineer

“The combination of the classic sound combined with useful modern features makes this an amazing sounding and really fast and flexible tool. I was hit with a wave of nostalgia from countless records I loved growing up. It was instantly familiar. ”

Tom Marsh

Lana Del Rey / Composer

“I love this new Arturia reverb contraption... I'm already using it on 3 projects - a commercial, a future pop record and a score for a horror film ... it's pure vibe and super user friendly. Another Aruria banger.”