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2600 BLUE MARVIN
Special Edition Semi-Modular Analog Synthesizer with 3 VCOs and Multi-Mode VCF in 8U Rack-Mount Format
Features
Amazing analog synthesizer with triple VCO design allows for insanely fat music creation
Authentic reproduction of ultra-rare Arp Blue Marvin* circuitry from the 70s with matched transistors and JFETs
Semi-modular architecture requires no patching for immediate performance
3 VCOs, each with LFO mode, FM inputs and multiple wave-shape outputs for an awe-inspiring palette of tonal possibilities
Multi-mode VCF with dedicated low-pass output with additional switched high/notch output
Incredible range of modules including ring modulator, lag processor, sample & hold, Schmitt trigger, and envelope follower
ADSR and AR Envelope generators with switchable time factor
Fitted with a mechanical spring reverb for inspiring sound effects
Noise Generator with continuously variable color
2 dedicated LFOs with pulse and sine wave outputs
Switched Post Filter Distortion (PFD) / Inverter option on voltage processor
Differential (+/-) input VCA with both linear and exponential control inputs
Additional functions include attenuator, mixer, inverter, slew rate limiter and 4-way multiple for creative patching flexibility
External audio input for processing of external sound sources
58 Faders and 15 buttons give you hands-on direct and real time access to all parameters
83 Patch cable input/outputs for the ultimate in configuration flexibility
Comprehensive MIDI implementation with MIDI channel and Voice Priority selection
2600 Blue Marvin
The 1970s was a time when synthesizers were truly coming into their own as more and more musicians were adopting the instrument and making music that no one had ever heard before. Earlier synthesizers were massive and sophisticated devices that cost thousands of dollars, but in 1971, Alan R. Pearlman and Dennis Colin sought to create a more portable version of their huge ARP 2500 modular synth which they could market more towards musicians. Out of this concept came the ARP 2600 semi-modular synthesizer which became an instant hit and was quickly adopted by lots of renowned musicians including Edgar Winter, Pete Townshend, Herbie Hancock and Jean-Michel Jarre, to name a few. Soon after the first models were released, ARP made a bright blue version of Model 2600 called the “Blue Marvin”, named after ARP CFO Marvin Cohen.
Now meet the Behringer 2600 BLUE MARVIN, a limited edition, ultra-affordable and even more feature-packed homage to the iconic ARP 2600 synthesizer. Compared to the original Behringer 2600, the BLUE MARVIN features a mechanical spring reverb, hand-picked components, uni-color LEDs on each fader plus a super slick paint job that’ll make your setup pop! Conjure up virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic ARP 2600 circuitry from the '70s with matched transistors and JFETs. Owning a BLUE MARVIN is like having your piece of history enabling you to re-create timeless classics or forge your own musical path.
True to the Original
Great care has been taken in engineering the BLUE MARVIN’s true-to-the-original analog circuitry, semi-modular architecture and triple VCO design, all of which come together to recreate the classic tones evocative of classic electronic music. This highly-focused attention to detail gives the BLUE MARVIN its ultra-flexible sound-shaping capability, which then empowers you to recreate amazing tones – from super-fat bass and tasty leads, all the way to full-on dreamy ambience from the far reaches of your imagination.
Big, Fat Tones
The synthesizer tracks laid down in the 1970s and '80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The BLUE MARVIN lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!
Specification
Inputs
VCO 1 / 2 / 3 | |
Frequency modulation (FM) control | 11 x 3.5 mm TS jacks, CV range: -10 V to +10 V |
Pulse width modulation (PWM) | 2 x 3.5 mm TS jack, CV range: -5 V to +5 V, 1 V/10% |
VCF | |
Audio | 5 x 3.5 mm TS jacks, 50 kΩ unbalanced |
Control | 3 x 3.5 mm TS jacks, CV range: -10 V to +10 V |
ADSR / AR envelope generator | |
S&H clock | 1 x 3.5 mm TS jack, threshold: > 6 V |
Gate in | 1 x 3.5 mm TS jack, threshold: +4 V |
Trig in | 1 x 3.5 mm TS jack, threshold: +5 V |
VCA | |
Audio | 2 x 3.5 mm TS jacks, 50 kΩ unbalanced |
Control (linear) | 1 x 3.5 mm TS jack, CV range: -10 V to +10 V |
Control (exponential) | 1 x 3.5 mm TS jack, CV range: -10 V to +10 V |
Mixer / reverb | |
Audio | 2 x 3.5 mm TS jacks, 50 kΩ unbalanced |
Left / right inputs | 2 x 3.5 mm TS jacks, 50 kΩ unbalanced |
LFO | |
Ext vib in | 1 x 3.5 mm TS jack, 50 kΩ unbalanced |
Envelope follower | |
Input | 1 x 3.5 mm TS jack, 100 kΩ unbalanced |
Preamp input | 1 x 3.5 mm TS jack, 100 kΩ unbalanced |
Ring modulator | |
VCO 1 input | 1 x 3.5 mm TS jack, 100 kΩ unbalanced |
VCO 2 input | 1 x 3.5 mm TS jack, 100 kΩ unbalanced |
Voltage processor | |
-10 V input | 1 x 3.5 mm TS jack, max. input level: +10 V |
Inputs 1 / 3 / 5 | 3 x 3.5 mm TS jacks, max. input level: +10 V |
Keyboard CV input | 1 x 3.5 mm TS jack, max. input level: +10 V |
+10 V input | 1 x 3.5 mm TS jack, max. input level: +10 V |
Env follower input | 1 x 3.5 mm TS jack, max. input level: +10 V |
Sample & hold | |
Noise gen input | 1 x 3.5 mm TS jack, 50 kΩ unbalanced |
Ext clock in | 1 x 3.5 mm TS jack, threshold: > 3 V |
Back panel | |
Interval latch | 1 x ¼" TRS |
Portamento footswitch | 1 x ¼" TRS |
Outputs
VCO 1 / 2 / 3 | |
Outputs (saw) | 3 x 3.5 mm TS jacks, 1 kΩ unbalanced |
Outputs (pulse) | 3 x 3.5 mm TS jacks, 800 Ω unbalanced |
Outputs (tri) | 2 x 3.5 mm TS jacks, 1 kΩ unbalanced (VCO 2 / 3 only) |
Outputs (sine) | 2 x 3.5 mm TS jacks, 1 kΩ unbalanced (VCO 2 / 3 only) |
VCF | |
Outputs | 1 x 3.5 mm TS jack, 1 kΩ unbalanced |
ADSR / AR Envelope Generator | |
Output | 2 x 3.5 mm TS jacks, CV range: 0 V to +10 V |
VCA | |
Output | 1 x 3.5 mm TS jack, 1 kΩ unbalanced |
Mixer / reverb | |
Post-attenuator outputs | 2 x 3.5 mm TS jacks, 1 kΩ unbalanced |
Post-mixer output | 1 x 3.5 mm TS jack, 1 kΩ unbalanced |
L / R outputs | 2 x ¼" TS, 500 Ω unbalanced 2 x 3.5 mm TS jacks, 500 Ω unbalanced |
LFO | |
LFO (triangle) | 1 x 3.5 mm TS jack, 1 kΩ unbalanced |
LFO (square) | 1 x 3.5 mm TS jack, 1.8 kΩ unbalanced |
LFO delayed (sine) | 1 x 3.5 mm TS jack, 1 kΩ unbalanced |
Envelope follower | |
Output (preamp x1000 ) | 1 x 3.5 mm TS jack, max. output gain: +60 dBu |
Output (preamp x100 ) | 1 x 3.5 mm TS jack, max. output gain: +40 dBu |
Output (preamp x10 ) | 1 x 3.5 mm TS jack, max. output gain: +20 dBu |
Output (env follower) | 1 x 3.5 mm TS jack, max. output level: +14 V |
Ring modulator | |
Output | 1 x 3.5 mm TS jack, output level: -10 V to +10 V |
Noise generator | |
Output | 1 x 3.5 mm TS jack, output level: -10 V to +10 V |
Voltage processor | |
Inverter 1 output | 1 x 3.5 mm TS jack, output level: -10 V to +10 V |
Inverter 2 output | 1 x 3.5 mm TS jack, output level: -10 V to +10 V |
Lag output | 1 x 3.5 mm TS jack, output level: -10 V to +10 V |
Sample & hold | |
Internal clock out | 1 x 3.5 mm TS jack, max. output level: +10 V |
S/H out | 1 x 3.5 mm TS jack, max. output level: +14 V |
Portamento / keyboard | |
Trig out | 1 x 3.5 mm TS jack, output level: +14 V |
Upper voice | 1 x 3.5 mm TS jack, max. output level: +10 V |
Gate out | 1 x 3.5 mm TS jack, output level: +10 V |
Keyboard CV output | 1 x 3.5 mm TS jack, max. output level: +7 V |
Phones | |
Type | 1 x 1/8" TRS jack, stereo |
Max. output level | 5 dBu |
Output impedance | 8 Ω |
Variant | 1 |