The Liquid Channel transports classic front-end processing into the digital age, removing the need for endless patching and adding fluidity and reliability to the studio environment. Quite simply, The Liquid Channel is every mic-pre and compressor combination in history, inside a single 192kHz 2U device.

This is achieved through a unique two-part process. Firstly, the use of dynamic convolution techniques is applied, utilising lightening fast SHARC chips applying unique level-dependant impulse responses to every sample of audio. However, whilst this is more than sufficient to identically re-synthesise a compressor’s sonic behaviour, in order to replicate precisely every subtle nuance, the pre-amplifier must physically match the way in which the classic unit interacts with a given microphone. The Liquid Channel’s solution to this problem lies in its vast analogue front-end. A pre-amp with the ability to change its impedance and vary its signal path to either transformer or electronic, perfectly replicating the interaction characteristics of the original, whilst remaining entirely transparent within the signal path.

The Liquid Channel can therefore replicate precisely the sound of any classic mic-pre and compressor. With entirely digital front panel controls, all parameters can be saved in one of ninety-nine User Memories, meaning that entire session set-ups can all be recalled at the touch of a button. A brand new digital EQ is also available, providing a comprehensive and truly ‘liquid’ channel strip.

A USB connection on the rear panel links to a software application enabling the archiving of both replicas and surplus User Memories, as well as providing remote operation of the unit itself. The Liquid Channel comes complete with forty classic mic-pre’s and forty classic compressors but is infinitely expandable, since the USB port also facilitates downloads of further replicas from a dedicated website; www.ffliquid.com.

Finally, to account for variances in amounts of second order harmonic distortion (usually perceived as warmth) from one pre-amp to the next, a dial is included to permit control over this value. This essential feature ensures hardcore vintage enthusiasts are satisfied, bringing total control over every sonic attribute.

Essentially, The Liquid Channel provides an unlimited supply of vintage sonic performance for the price of one unit, with all the added benefits of digital processing and control.

Main Features:

• 40 mic pres and 40 compressors : The Liquid Channel comes loaded with forty classic mic-pre and forty classic compressor emulations, with an expanding library online.


• Best of both worlds : The Liquid Channel fuses cutting-edge analogue design with lightning fast SHARC DSP to deliver the finest pre-amp emulations possible.


• Digital Head, Analogue Heart : The Liquid Channel uses an analogue pre-amp front-end to match the input impedance and signal path of the device being emulated before applying dynamic convolution for amplification characteristics.


• Global Recall : 100 Programme Memories allow you to save every parameter, whilst the file format provides easy transfer of these settings to other Liquid Channel users.


• Remote Control : Free software application LiquidControl™ allows comprehensive remote operation and archiving facility of emulations and programme memories.


• 192kHz ADC/DAC as standard : The Liquid Channel features the finest conversion paths possible, ensuring the audio is unaffected whilst dynamic convolution is applied in the digital domain.


• Not all vintage units are born equal : So the 'Harmonics' dial lets you account for variance in vintage originals, or use levels of 2nd, 3rd and 5th Harmonic distortion creatively.