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Bass Effects
MXR M288 Bass Octave Deluxe
$149.99
MXR M288 Bass Octave Deluxe The M288 Bass Octave Deluxe is a dual-voice octave pedal from MXR Bass Innovations that offers organic analog tone, true bypass, and a wide variety of tone-shaping ... Learn More
Electro Harmonix Enigma: Q Balls
$197.30
The Electro-Harmonix Enigma is a powerful and precise envelope filter fine-tuned for bass frequency response. Sculpt your envelope to reveal a truly expressive tone, with a defined and un... Learn More
MXR M87 Bass Compressor
$189.99
Used by Eric Johnson!Take your favorite studio compressor to the stage with the MXR M87 Bass Compressor. A complete array of controls—Attack, Release, Ratio, Input, and Output—make... Learn More
MXR M82 Bass Envelope Filter
$149.99
The Bass Envelope Filter delivers classic, analog, envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in t... Learn More
Pigtronix PBC Philosopher Bass Compressor
$169.00
Pigtronix Philosopher Bass Compressor brings the heralded Philosopher’s Tone compressor circuit to bassists in a small size stompbox format... Learn More
Pigtronix BOD Bass FAT Drive
$149.00
The Bass Fat Drive leverages Pigtronix CMOS clipping concept to sculpt a larger than life sound that breaks up based on how hard you hit the strings... Learn More
MXR Bass Preamp M81
$169.99
The MXR Bass Preamp combines a pristine bass preamp with a studio-quality Direct Out in a Phase 90-sized box, providing clear tone without hogging precious pedalboard space. Learn More
DigiTech Bass Whammy
$199.95
Out of stock
Bass Whammy gives players the ability to recreate the shift glitch effects from the original or get the smooth pitch shift effect...
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Dr. J Sparrow Driver & DI
$110.00
Small as it is, the sparrow has all the vital organs. . .
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Dr. J Soloman Bass Overdrive
$96.00
Make your bass sound oh-so attractive! Specially designed for the modern bass player with a concise panel and outstanding tone--all the way from rock to metal . . .
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