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Key features
8, 16, 24, and 32 channel versions - each in a 1U format.
Onboard 32-channel microSD recorder for direct recording and playback.
Upgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A/D & D/A module with more to come.
Two audiophile-grade headphone outs with independent volume controls.
1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.
Future-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.
Full Windows and OSX compatibility
Road-ready rack-mount reinforced chassis
24 Bit - 192 kHz mastering grade A/D and D/A conversion
Designed and built in Southern California, USA
Lynx Announces Dolby Atmos Compatibility
Lynx Studio Technology has announced compatibility between their acclaimed Aurora(n) audio interface/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.
Lynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora(n) with the tremendous creative power offered by the Atmos mixing environment. Now they can.”
Co-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora(n) with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora(n) platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”
The new Dolby Atmos compatibility for the Lynx Aurora(n) will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora(n) users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora(n) and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora(n) with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.
Transparency Matters
Signal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.
Discrete Converter Array
Some manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.
Hilo Converter Technology (HCT)
Design and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.
Future-Proof Design:
Configurable I/O
- Add Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.
- Add Modules – Digital I/O, Mic Pre Amp; More are being designed now for future release.
- Add Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards
- Add Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.
SynchroLock 2™
All new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I/O provides one input and three outputs on BNC connectors.
Technical specifications
Analog Specs
Line In (includes A/D Conversion)
THD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim
Dynamic range: 119dB, A‐weighted, ‐60dBFS signal method
Frequency response: ±0.010dB, 20–20kHz
Crosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal
Common mode rejection: greater than 80dB
Full‐scale trim settings: +6dBV, 20dBu
Line Out (includes D/A Conversion)
THD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim
Dynamic range: 120dB, A‐weighted, ‐60dBFS signal method
Frequency response: ±0.025dB, 20–20kHz
Crosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal
Full‐scale trim settings: +6dBV, 20dBu
Headphone Out (includes D/A Conversion)
THD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max
Dynamic range: 120dB, A‐weighted, ‐60dBFS signal method
Frequency response: ±0.025dB, 20–20kHz
Crosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal
Output level: 18.4dBu maximum
Output power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω
LM-PRE4 Preamp Module
Microphone Input (includes A/D conversion)
THD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain
EIN: -129dBu A-weighted, -60dBFS method
Dynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain
Frequency Response: +0.01 / -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings
Crosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain
Common Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain
Full-scale Input Level for A/D: 28.7dBu
Input impedance: 2.1k Ohm
Gain Settings: 5.6dB/13.6dB to 68.6dB in 1dB steps
Pad attenuation: 13.6dB
High-pass Filter: 80Hz, 12 dB / octave
Connector: Female XLR on Neutrik jack
Line Input (includes A/D conversion)
THD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain
Dynamic Range: 119dB A‐weighted, ‐60dBFS signal method
Frequency response: ±0.010 dB max deviation over 20–20kHz
Crosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain
Common Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain
Full-scale Input Level for A/D: 20dBu
Gain settings: Fixed
Connector: Female XLR on Neutrik jack
LM-DIG Digital I/O Module
Optional LM-DIG digital I/O module
16 input and 16 output channels of 24-bit AES/EBU
44.1 kHz to 192 kHz sample rate support
Two 25-pin female D-subs, Yamaha digital I/O pinout
Software
Lynx NControl for Aurora(n) USB, Thunderbolt & Dante models
For total control of all functions and routing from your computer
Now includes Mic Pre and micro SD record and playback control
Other
Additional modules
Digital I/O
Microphone preamp
More in development
Analog Input Connections
Aurora(n) 8 - 1 x DB25
Aurora(n) 16 - 2 x DB25
Aurora(n) 24 - 3 x DB25
Aurora(n) 32 - 4 x DB25
Analog Output Connectors
Aurora(n) 8 - 1 x DB25
Aurora(n) 16 - 2 x DB25
Aurora(n) 24 - 3 x DB25
Aurora(n) 32 - 4 x DB25
Dimensions
Depth - 10 inches
Width - 19 inches
Height - 1.7 inches
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