PC
VST
Windows x32 or x64 (XP Service Pack 2, Vista or 7)
VST 2.4 compatible application
RTAS
Windows x32 or x64 (XP Service Pack 2, Vista or 7)
ProTools LE 8.0.0 or ProTools TDM 8.0.0 (or later)
AAX
Windows x32 or x64 (XP Service Pack 2, Vista or 7)
Pro Tools 10 or Pro Tools 11 (or later)
Mac (intel)
AudioUnit
Mac OSX 10.5 or later
32 or 64-bit host application capable of running AudioUnit plug-ins with Cocoa view
VST
Mac OSX 10.5 or later
32 or 64-bit VST 2.4 compatible host application
RTAS
Mac OSX 10.5 or later
ProTools LE 8.0.0 or ProTools TDM 8.0.0 (or later)
AAX
Mac OSX 10.8 or later
Pro Tools 11 or later
85
PSP 85 is the product of our eternal fascination with the endless possibilities offered by variable sample rate delay lines. PSP 85 benefits from aggressive algorithm optimization and adds numerous significant new features. The plug-in comes with sixty wild and twisted new presets designed to highlight its exciting new attributes.
Features
predelayfor creating complex rhythmic patterns,
delay line output panning,
delay gating offering extended control over number of echoes and their level,
automatic ducking (with auxiliary sidechain input option), the invaluable tool helping to preserve sound clarity by attenuating superfluous echoes that would have been otherwise masked by hotinpu signal,
filterresonance modulation,
LFO songposition synchronization for repeatable playback results,
input muting allowing to connect the delay lines in series when used on mono tracks,
64 bit audio stream support (only refers to VST format),
continuous control over delay time with little harmonic distortion thanks to real-time multipoint resamplers,
modulation signal generator consisting of LFO with five click-free waveforms and an envelope follower,
12dB/oct filter with adjustable cutoff and resonance as well as saturation
felxible filter routing capabilities,
vintage reverberation module for faithfulsimulation of spring and plate reverb characteristics,
edge-filtering of abrupt parameters changes for smooth and click-free operation,
support for sampling rates of up to 192kHz,
MIDI and VST automation of all parameters.
Minimum system requirements
PC
VST
Windodws x32 or x64 (XP Service Pack 2, Vista,7 or 10)
VST 2.4 compatible application
RTAS
Windoes x32 or x 64 (XP Service Pack 2,Vista,7 or later)
VST 2.4 compatible application
AAX
Windows x32 or x64 (XP Service Pack 2,Vista, 7 or 10)
Pro Tools 10 or Pro Tools 11 (or later)
Mac (intel)
AudioUnit
Mac OSX 10.5 or later
32 or 64-bit host application
VST
Mac OSX 10.5 or later
32 or 64-bit VST 2.4 compatible host application
RTAS
Mac OSX 10.5 or later
Protools LE 8.0.0 or Protools TDM 8.0.0 (or later)
AAX
Mac OSX 10.8 or later
Pro Tools 11 or later
608 MultiDelay
PSP 608 MD is perhaps the most fully featured delay plug-in available on the market (VST, AudioUnit, RTAS and AAX format for Mac OSX Universal Binary and VST, AAX and RTAS format for Windows). We have striven to offer you a creative tool that is not only functional, but inspiring. Each tap has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options! The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from our renowned mastering processors. And of course all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.
What the press say?
So PSP have done it again. They’ve taken a basic idea, made it sound beautiful and then pushed it just that bit further. The 608 is one of the best-sounding delays available, and no other plug-in so closely resembles a high-powered hardware delay unit.
Computer Music
What I look for in a plug-in is the ability to create musical effects that go some way beyond the norm but without getting so complicated you can't be bothered to use them at all. PSP seem to have exceeded these requirements by going further beyond the norm than usual, but they've still kept the user interface simple and they've created a large library of presets that show off different aspects of the plug-in. Even if you just tweak these rather than starting from scratch, you'll still get a lot out of it, and guitarists in particular will find this a very rewarding plug-in.
Paul White, Sound on Sound Magazine
A multitap delay is an important part of every electronic musician's effects palette, and for quality and ease of use, it's hard to think of a better or more economical choice than the PSP 608.
Len Sasso, Electronic Musician
Features
Up to 8 seconds of delay time per channel
Continuous control over the delay time in milliseconds and/or chosen quantize note
Three operation modes: Multidelay,in which each tap has its own feedback buffer; Multitap,in which the Master Feedback operates on one (user selectable) tap; and MultiFB, where switches the tap off not switch the feedback signal off
Each tap included independent adjustment of the following: gain, stereo field width and balance,delay time, filtering, modulation,saturation simunlation and reverberation
Each tap can choose between multiple quadruple biquadratic filter types,including: Low Pass, Band Pass, High Pass, PEAK filter and four Shelf filters
Modulation section (LFO and envelope follow) offer adjustable modulation depth of 3 octaves, and can be selected for filter cutoff
Tape saturation simulation with adjustable gain based on the algorithm used in our mastering processors
Filter modlue in feedback includes LP, BP, HP filter (either State Variable Filter or Biquad) with adjustable cutoff and resonance
Vintage reverberation module for faithful simulation of spring and plate reverbs
Support for sample rates of up to 192kHz
Host and MIDI automation of all processing